ZAnamorphic

ZA discusses and demonstrates his neo-anamorphic paintings in his Cancun art studio.

Hans Zandvoort discusses and demonstrates his neo-anamorphic paintings.
Cancun, Mexico September 2011
English · 6 min. 15 sec.

Reality and abstraction

“The idea is to bring those two opposing entities, realism and abstraction, and the strange world in between, together in one painting.”

– Hans Zandvoort, 2012

Neo-anamorphic work by Hans Zandvoort with a yellow, black and figurative form against loosely painted blue and green areas.

Hans Zandvoort
Gouache on paper

Neo-anamorphic painting by Hans Zandvoort with an elongated reclining figure outlined in black against a textured red field.

Hans Zandvoort
2012
Acrylic on styrofoam

Neo-anamorphic work by Hans Zandvoort depicting a reclining female figure surrounded by green and earth-toned brushwork.

Hans Zandvoort
Gouache on paper

Neo-anamorphic painting by Hans Zandvoort shown installed for viewing from an oblique angle, revealing the distorted composition characteristic of his anamorphic work.

Hans Zandvoort demonstrating a side viewing position, Cancún, September 2011. Still from the artist’s video.

How to look

“After a frontal look, please move away to the left or the right, ever closer to the wall, constantly looking. An image will become more recognizable.”

– Hans Zandvoort, 2012

“I am trying to make paintings that can be seen from the front as abstractions, but also from the side, when reality becomes more apparent.”

– Hans Zandvoort, 2012

From the front. From the side.

Front view of a neo-anamorphic painting by Hans Zandvoort, appearing largely abstract when viewed straight on.

Hans Zandvoort
2012
Acrylic on Styrofoam

Side view of a Hans Zandvoort neo-anamorphic painting in Cancún, showing the figurative image becoming recognizable from an oblique angle.

The same painting viewed from the side, Cancún, 2012.

A chance discovery

“I rediscovered anamorphic art by coincidence while projecting slides from the side, and have ever since been fascinated by the possibility to show reality and abstraction in the same work.”

– Hans Zandvoort, 2012

Sideways projection demonstrating anamorphic distortion, Cancún, 2012. Still from Hans Zandvoort’s video.

Sideways projection demonstrating anamorphic distortion, Cancún, September 2011. Still from Hans Zandvoort’s video.

Neo-anamorphic painting by Hans Zandvoort depicting a reclining female figure, with the composition distorted for viewing from an oblique angle.

Hans Zandvoort
Acrylic on canvas
84 × 30 cm

Hans Zandvoort continued to paint and experiment throughout a life that took him from the Netherlands to France, the United States, West Africa, and Mexico.

Explore his life →